Home
Work
a pebble
the grains of sand
Reverberations
this new moon phase
soliloquy, a space of monologue
support surface FW2019/20 collection @Omotesando Hills
the surface of dimension II
the works with people from all over the world I
night in cherry red
the surface of dimension I
the works with people from all over the world II
the rolls of dice
Kuching, Malaysia. Where I surely lived in.
the gravity
composite works
1080 degrees
the slice of life
from "an oval day"
underground trees
pay you back later
entrance of the different dimensions
Kyoto, Japan. Traditional Architecture.
The extraction of 5 streets in Tokyo
untitled
The exhibition at Sony Imaging Gallery Ginza, Tokyo.
vimeo, the exhibition at Sony ImagingGallery Ginza 2018
KAZUNORI NAGASHIMA
Home
Work
a pebble
the grains of sand
Reverberations
this new moon phase
soliloquy, a space of monologue
support surface FW2019/20 collection @Omotesando Hills
the surface of dimension II
the works with people from all over the world I
night in cherry red
the surface of dimension I
the works with people from all over the world II
the rolls of dice
Kuching, Malaysia. Where I surely lived in.
the gravity
composite works
1080 degrees
the slice of life
from "an oval day"
underground trees
pay you back later
entrance of the different dimensions
Kyoto, Japan. Traditional Architecture.
The extraction of 5 streets in Tokyo
untitled
The exhibition at Sony Imaging Gallery Ginza, Tokyo.
vimeo, the exhibition at Sony ImagingGallery Ginza 2018
entrance of the different dimensions
The entrance to another dimension is found sometimes even in the ordinary area where we live.
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2019
soliloquy, a space of monologue
2019
the slice of life
2019
Kuching, Malaysia. Where I surely lived in.
2019
the surface of dimension II
2019
the works with people from all over the world I
2019
this new moon phase
2019
The extraction of 5 streets in Tokyo
2019
from "an oval day"
2019
the surface of dimension I
2019
vimeo, the exhibition at Sony ImagingGallery Ginza 2018
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